drawing of Saddell Castle from the bay
The village of Saddell on the east coast of the Kintyre Peninsula has to me always had a quiet but unsettling air about it; in fact it feels thick with ghosts. This is hardly surprising, for just as Kintyre itself, it is steeped in history. One time home to Somerled, 12th century Viking slayer and “First lord of the Isles”, Saddell is also home to the remains of the Cistercian abbey that Somerled himself is said to have chartered, and indeed where his remains are believed to have been laid to rest. The abbey was built at the top of “The Glen of the Dead”, where for centuries corpses were brought over from the west coast for burial. Today, the massive medieval carved tomb stones that are on display, one of which is said to have been taken from Somerled’s tomb, seem imbued with powerful memories of the history and times that these ruins have witnessed. The burial place of such a legendary leader as Somerled would be atmospheric enough on its own however Saddell, like many parts of Scotland, has further mystery attached to it. In the 16th century it is said that the local Laird commanded that headstones from the ruined abbey be used in the construction of Saddell Castle and as a result much of the area is haunted by the restless dead who were thus disturbed from their ancient slumber... Amongst other tales there have been sightings of a ghostly monk, a white lady, and the abbey is said to be haunted by “giants and beasties”.
I didn’t visit the abbey this time as it was already late in the day. Instead, turning left, I took the long path leading to the Castle and Saddell bay, where I was hoping to see some seals.
Walking along under the shadows cast from the tall oak and birch trees, with the Castle walls in my sight, I was reminded of another story associated with Saddell abbey and the laird of the Castle: The Tale of the Sprightly Tailor. This was the very path along which the tailor had fled a most horrible monster who had chased him right to the very gate of the castle then struck the stone above the doorway in anger as the tailor himself escaped inside and to safety. In some versions of this tale it is only a black spectral hand that chases the tailor down the path, in the dead of night, leaving a mark on the entrance to the castle that is to this day known as the “ Devil’s Handprint”.
It’s a fantastic tale and very evocative, in particular the dialogue between the tailor – who had been commissioned, or perhaps dared, by the laid of the castle to sew a pair of trews alone at night in the haunted ruins in return for a reward -and the monster. The tailor had no sooner started his sewing than the gruesome creature bursts its head up through the pavement of the ruins and says,
“Do you see this great big head of mine?”
And the tailor replies “I see that, but I’ll sew this!”
And so it goes on as the monster raises his neck, then his massive shoulders out of the ground and waves his arms in front of the tailor's face and taunts the tailor at each time, to which the tailor always replies “I see that! But I’ll sew this!”
Finally, as the monster has almost fully risen from the ground the tailor, wisely beginning to panic, does a few long stiches to finish the trews, then makes haste to the castle with the monster close behind in demonic pursuit. It’s about half a mile, but he makes it just in time and the laird rewards him handsomely, apparently never noticing that the last stiches in his trousers are a bit long.
The castle is privately owned, but they let the public access the bay. It is not an elaborate structure and from a far looks more like a large house. It is still lived in, although some of the outbuildings are in ruins. However situated just at the back of a small sandy beach, it has a perfect location. Standing with the castle behind me, admiring the view, I thought I saw a shape at the end of the bay resembling a seal peeking out of the water, so I walked across to the other side with the story of the tailor still in my thoughts.
It’s true it is an eerie place.
“Do you see that great big wave?” I said to myself.
“ I see that , but I’ll take a photo of this” I replied, stooping to take a photo of some washed up flotsam that had caught my eye, and I generally just amused myself that way until I had crossed to the other side. of the beach.
“Do you see those great rocks?” I did see them, and I climbed over them to try and get closer to the seals, but the seals had gone. I sat and took in the beautiful scenery. The sun was going down the waves were beating against the rocks and the air was fresh.
By and by it began to get a bit dark and so, a little sad not to have seen more seals that day, I decided to head back to the car which was parked at the end of the path the tailor had fled down.
However, just as I stepped back on to the sand I noticed the setting sun casting a cool bluish light under the cloudy sky on the sea and I sat my camera on a rock to try and steady it enough to take a decent photo.
“Do you see that great big hand print on that rock!” I said to myself “Aye, Aye, I do!” For sure enough, on the rock just in front of me there seemed to be a massive hand print. On closer inspection it appeared to be an unusual granite rock formation, in the shape of a big mitten. Whatever had caused it, it chilled me to the bone. I had never seen it before, yet I had been to that bay many many times.
It really was getting a bit dark, and I had begun to feel a little nervous.
Walking back past the castle, inspite of my growing sense of unease, I couldn’t resist looking at the stone work above the gate, was the Devil's handprint really there? If it was, I couldn't see it and so I turned back and headed up the long trail, all the time feeling as though someone or something was watching me and fearing that my foolish mockery of the tale and recital of the dialogue had somehow woken up some angry and offended sprit or “beastie”. I must not turn around, I told myself. Don’t run, they’ll know you know!
At last I got to the car and decided it was safe to turn around and see if I had been followed by a ghostly presence. Fortunately I didn’t see any hands, monsters, giants, beasties, monks or white ladies chasing me – but that doesn’t mean that they weren’t there. I jumped into the car. Looking at the clock I realised that the only shop in the vicinity was going to close soon and I needed to rush there in order to get milk – I was definitely going to need a coffee to put some sense back into me after that little adventure. I admit I had a bit of difficulty getting to sleep that night in the old fisherman’s cottage, and I don’t think it had anything to do with the coffee.
drawing of the spooky rock
sources:
Celtic Fairy Tales by Joseph Jacobs